Biography of ahead

The laureate of the Stalin Prize of the first degree for many years of outstanding achievements in the field of theatrical and dramatic art laureate of the Lenin Prize for the performance of the mistress of Niskowuri in the play "Stone Nest" Laureate of the Lenin Prize for the performance of the "Vassa Zheleznov" performance, the cavalier of the Orders of Lenin, the cavalier of the Order of the Red Banner of Labor was awarded the medal "For Valiant work in the Great Patriotic War - GG.

Acting roots of the Pashennaya Vera were born in an acting family. Her father Nikolai Petrovich Penny spoke under the stage pseudonym Roshchin-Insarov in the theatrical troupees of the Nemchinovsky and secretaries theaters. The actress was the mother of Evgenia Nikolaevna Pashennaya. It is said that her theater career was successful, but after the birth of the second daughter, Vera’s older sister Catherine was born in the year Evgenia Nikolaevna decided to leave the stage and devote herself to raising children.

Over time, the relationship between the parents of Vera worsened. When the girl was 10 years old, they parted, after which Evgenia Nikolaevna married Nikolai Konchalovsky. In childhood, Vera Pashennaya did not dream of a stage. Moreover, she later admitted in her memoirs: “I hated what the theater brought to our life. I did not love this life, and it seemed to me that I did not like the theater.

" In the year, after graduating from high school, the girl planned to go to the Medical Academy. But they took there from the age of eighteen, and she was only sixteen. And then she still decided to submit documents to the theater school. As Vera Nikolaevna herself admitted, then it seemed to her that she became an actress by chance: “But if you think about it, you can conclude that a deeply hidden organic desire for art led me to the theater.” The future actress happened to study in the dramatic classes with A.

Lensky, the successor of the traditions of Shchepkin’s stage realism. Pashennaya herself in her memoirs characterized him as a talented, sensitive, highly cultural person who saw in the actor of an artist who was responsible not only for his work, but also for the whole path of the theater, as a creator of artistic values. In that spirit, he brought up his students. The first marriage as a student, Vera Pashennaya in the year married the famous actor Vitold Polonsky.

At first, their family life took shape well - the couple rented a room, in the fall of the year they had a daughter Irina. But after the birth of the daughter, scandals began in the family. The husband was unhappy that Vera, who by that time had become an actress of the Maly Theater, devotes a lot of time to the stage to the detriment of raising a child. Three years later, the couple decided to leave.

The theater career of the pre -revolutionary period in the year Vera Pashennaya graduated from the theater school. As already noted, after the completion of her studies, she was accepted into the troupe of the Maly Theater, which was headed by the Lensky Mentor. Already soon he introduced a plowed to the role of faith in the play “Defends”, and then followed the role of Kat in the play “Gentleman”.

In her first works, the plowed showed natural acting talent and powerful temperament. In the early period of creativity, the young actress especially succeeded the images of simple young ladies from the people, which were characterized by romantic elasticity and emotionality. So in the year, the roles of Tanya Dedyavkina were played in the “state -owned apartment” by V.

Ryshkova, linden in the “White Vorona” by E. Chirikova, Nadenki in the “wife” D. in the year of Lensky left the Small Theater. He was very worried about his beloved student. However, Vera Pashennaya managed not only to gain a foothold in the theater, but also to become one of the leading actresses of the troupe. Before the revolution of the year, she played a large number of diverse roles, among which were so significant as: Maria Stuart in the Schiller play of the same name, Rosalind in Shakespeare's comedy “As you like”, the Duchess of Paduan in the Padua Paduan play “Duchess”, a portion in Shakespeare's comedy “Venice.

merchant ”, Bianka in the“ Florentine tragedy ”Oscar Wilde, Lisa in Griboedov’s drama“ Woe from Wit ”. A special place in the biography of the faith of Pashenny was occupied by the work of Alexander Ostrovsky. Only for the period from for the year, she played in six productions of his plays. The play “Poor Bride” was a huge success in which the actress played the main role of Marya Andreevna.

Previously, the image of Maria was usually created in a tragic-bearing style. In the fulfillment of the faithful faith, this image began to play with new colors, confidence, inner power appeared, and the play itself, according to critics, gained a new breath. Vera Pashennaya first performed the role of Larisa in the "unlucky" in the season. The famous writer Sergei Durylin noted that then sincerity was inherent in the image of Larisa, but there was still lack of the strength of feeling, spiritual torment.

All this came later, after the revolution, when Vera Pasenny again happened to play Larisa. She played her first roles in the film adaptations of Ostrovsky, made by the director Kaim Gansen in the Moscow branch of the French film studio “Brothers Pate”.These were Larisa familiar to her in the stage in the "Downtan" and Katerina in the "thunderstorm".

There, her heroine became the Elsa courtesan, taking revenge in relation to her lover who had changed her. After the revolution, Vera Pashennaya in the year took part in the filming of the Polykushka drama, staged by director Alexander Sanin on the novel of the same name by Lev Nikolayevich Tolstoy, playing the main female role of Akulina, and in M ​​played the role of Mordvinskaya in another film adaptation of the fat film by Vladimir Kasyanov.

After that, a long break came in the actress movie career. The second marriage important event in the personal life of faith in the pre -revolutionary period was her second marriage. In the year, she married actor Vladimir Gribunin. Together they lived a long life, raising the children of Vera Nikolaevna from her first marriage. The spouses did not have joint children.

The theater career in the post -revolutionary and e years The revolution of the year radically changed the life of the whole country. The changes also affected the Maly Theater. As Vera Pashennaya said, the actors began to understand that art at such a time cannot be apolitical, it should be ideologically directed, influencing the viewer through creative images.

Like many others, the actress was actively involved in the construction of a new society. Since the year, Vera Pashennaya began pedagogical activity, teaching in dramatic courses at the State Academic Malay Theater of Russia. Later, in the year, Vera Nikolaevna, along with actress N. Smirnova, organized the theater-studio from the first issue and became its director.

The actress also continued to actively perform on stage, playing in plays, both a classic repertoire and modern Soviet authors. The range created by her female images was extremely wide, covering almost the entire repertoire of the small theater. The work of faith in the production of the play “Love Yarovaya” by Trenev, carried out in the year, was very highly criticized by critics.

The image of Yarova created by the actress was the first truly lively and truthful way of a new Soviet woman. In parallel with work in the Maly Theater, Vera Pashennaya collaborated with other scenes. In the year, when the Maly Theater closed for repairs, she performed in the Comedy Theater of the former theater of Korsh, playing in the performances “The Diva”, “Angelo”, “The Servant of the Two Lord”, “Madame San-Yeng”.

Then, in the years, there was cooperation with the Zamoskvoretsky Theater, and in the years-with the Moscow Moscow Art Theater musical studio under the leadership of Nemirovich-Danchenko, the role of Lizistrates in the same play by Aristophanes.

Subsequently, Vladimir Sverchkov continued the acting dynasty, serving the stage of the Maly Theater. Meanwhile, Vera Pashennaya continued acting and teaching. At the beginning of X, she played on the stage of the Maly Theater Vasilisa in the play “Yasny Log” based on the play by Trenev, I cheated in the play “Disgusting” according to Fadeev’s story, Tanya in the play “Fruits of Enlightenment” according to Tolstoy.

The actress took part in the performance of the play “How I went to paradise” directed by F. Kaverin, carried out according to the work of Demyan Poor in the Moscow Music Hall. In the year, Vera Pashennaya organized a trip of the group of actors to the Arctic. The tour was of great cultural significance, because in many of these places, professional artists never performed at all.

Subsequently, Vera Nikolavna admitted that she had never experienced such a spiritual upsurge and such joy. The trip was not in vain - a year later the first professional theater was opened in Igarka, named after Vera Pashennaya. The second half of the X brought the plowed new interesting roles. So, in the production of the great Shakespearean play “Othello”, she appeared in the role of Emilia.

Violating the generally accepted traditions, the famous actress introduced her heroine in a completely different light, filling the image with high tragedy. A well -deserved reward for her work was the award of Vera Nikolaevna in the year of the title of People's Artist of the Soviet Union. It was in this regard in the year in the Maly Theater that the performance “Invasion” was staged based on the play by Leonov, in which Vera Pashennaya played the role of Anna Nikolaevna Talanova.

A strong and deep character, permeated with heroism and patriotism, summarized and glorified the image of a Russian woman at this difficult time for the whole country. In the same year, Vera Pashennaya became the laureate of the Stalin Prize with the wording "For achievements in the field of dramatic and theatrical art." Initially, a negative image performed by arable land gained depth and artistic wealth.

Staritskaya appeared with an ominous recluse endowed with a mind, connected with blind jealousy. All her aspirations were aimed at gaining by any means of power, wealth, prosperity and impunity for himself and his son. Among the roles of the actress of the end of the X, it is also worth celebrating Khlestova in Griboedov’s drama “Woe from Wit”, Kukushkin in the play “Income Place” and Baraboshev in the play “Truth is good, and happiness is better” both according to Ostrovsky’s plays.According to many spectators and experts, the performance was the best staging of Gorky’s play, and the main merit in this is a Pashennaya faith, which created the image of a woman with an iron character in its drama.

In his memoirs, Yuri Solomin noted how much the game of faith Nikolaevna made a huge impression not only on the audience, but also on colleagues in the theater. One of the strongest scenes was an episode with the death of the heroine, which the actress played out, having burned so reliably to the image that then after the curtain, for some time lay movement for some time ...

In the year, the performance of the Vasses Zheleznov was filmed, which allowed him to see millions of viewers. At the beginning of the X, a film of more performances with the participation of the faith of the Pasenny were carried out: “There is quite simplicity for any sage”, “Woe from Wit”, “Wolves and Sheep”. Following the television performances of performances, the turn of the films came.

The last time Vera Pashennaya starred in the film in the far year, when the cinema was dumb. After three and a half decades, she returned to the movie screens, playing several roles. In the year, she played the role of the head teacher of Remizova’s school in the optimistic drama of the famous director Jan Frida “Road of Pravda”, in the year she played the role of the grandmother of the main character in the film Poroto Isidor Annensky “Ekaterina Voronin”.

In the year, the famous Ivan Pyryev entrusted the rod role of General Epanchina in the film adaptation of Dostoevsky’s novel “Idiot”. The last work of the actress on the film screen was the role of the director of the orphanage Olga Nikolaevna in the drama "Tale of the newlyweds." Vera Pasenny got the role of the elderly communist Kolesova in it. During rehearsals, the actress constantly looked sick and very tired, and once I had to call an ambulance at all.

The input of the examination in arable land was revealed cancer.