Biography of Dmitry Kharitonov

Onegin, Prince Yeletsky, Figaro to the annoyance of the Odessa music lovers shortly after the end of the conservatory, the young singer went to Moscow, to the Bolshoi Theater, and a few years later Kharitonov went to the stage of the Covent Garden Opera Theater in London. Kharitonov was the winner of all international competitions in which he took part. Glinka, plus a special prize to them.

I managed to record an interview with a wonderful singer. Why did you manage? Yes, because so far I have never had an interview with Fireworks. Oh, how I regretted that we were not talking in front of a television camera. What a pity that our readers will not hear those vocal illustrations that accompanied our conversation. By the way, fleeing from the heat, we talked in the small hall of the art museum, from which the descent goes to the grotto.

The resonance effect at the time of audio illustration was amazing. Before the first question, I asked Dmitry to give me my business card, singing something where my dictaphone recording would begin. And I heard the powerful sounds of the "clubs." And I am Volzhanin. I studied and sang in Odessa, I am a representative of the Odessa school. Am I a Muscovite? There are two eternal Russian questions: “Who is to blame?

I can’t get to the roots of the genial tree. As she tells, she went out“ for the gates ”and sang for all passing and passing. She sang all her life. She swam for passenger ships of the Black Sea shipping company and sang in an amateur ensemble. She is now, at 92 years old, sings in the boom in the choir of shipping.

There was also a voice of the G. Father, Anatoly Ivanovich, he doesn’t sing, but he is notion of the apartments of all my relatives, he is not a professional artist. Now the city of Tolyatti will move on to the question "What to do? She became my first music teacher. She taught me the game on the piano, the theory of music, Solfezhio as the mother of two children, she graduated in absentia in the murmur in absentia.

That's how I went to them through the snowdrifts. But then my three went, and my mother decided that it was impossible to "spray", and took me from the music school. I see myself lying on the carpet and pouring with combustible tears. Soon a mutation began. It was still impossible to sing. I continued to play the piano, and then my mother, who always started something, arranged an intra-family competition, offered to write a song.

At 11, I wrote a song to Simonov’s poems “Wait for me”. From this moment I got carried away with the composition. I went to music school again, and then went to study in Leningrad, at the school at the conservatory. He studied as a theorist and pianist, no one knew whether the voice would return. But he returned to 16 years old, and not a tenor, as one might expect, because in childhood I sang a discantant, like Robertino Loretti, and baritone.

And I began to take vocals. My parents sent me money, but I wanted to be independent, so I also earned it, sorting and spreading mail, worked as a boom in the morning of 5 in the morning, a crawler of a huge palace named after the I five -year plan. And in Odessa there was a grandmother, to whom I loved to ride for a summer vacation. And I decided to transfer to Odessa.

I was traveling to study with Olga Nikolaevna Probbidova, but late. She was gone. At first I was engaged in the class of Danovsky, then Osipova, and then with Galina Anatolyevna Polivanova. But I, like a bariton, wanted to study with a man, and I went to Evgeny Nikolaevich Ivanov. His school was very close to me, I felt her and understood so much that he left me as the best student from time to time.

By the way, such a pedagogue came in handy. I had a spinal injury, the so -called "fracture of the diver." So dived into the lake near Vinnitsa. Evgeny Nikolaevich came for me with five students. The first thing he asked: "Swallow." I swallowed. The chairman of the competition Irina Konstantinovna Arkhipova took her children in a tour of the Union. By the way, before the trip, I brought us to my home, turned the whole house turned us over, put on the feet of all neighbors and acquaintances to provide us with winter.

On the road, when I stood at the door of her compartment, she asked: “Dimochka, why don't you try at the Bolshoi Theater? But three generations of singers sang there. In addition, I was talking about 8 years, because of a novel with a Polish student? Something like a "Warsaw melody"? I don't know the truth. But when Arkhipov, Obraztsova, Nesterenko and Stekilava took away the youth to participate in the competition in Barcelona, ​​when issuing passports they told me: "And your passport, Comrade Kharitonov, is not ready." So I did not go.

I am tired of all this, and, finally, in G. and you saw the world. I'm not talking about linguistics. I own English, German, Italian, a little Polish. I was very enriched by the fact that I studied with different teachers.In addition to those whom I already called, I trained while still the soloist of the Bolshoi Theater by Juliet of Simeonata, Karl Bergonzi was my teacher.

I sang with many. Firstly, with the best singers of the Bolshoi Theater. You know, I even sang with Kozlovsky, however, then I was a student of the Odessa Conservatory, we participated in a concert in Moscow. When I went on stage, a tall, straight, like a stick, old man rose from the first row. He stood next to me on stage and asked: "Maestro, please give" before.

" And then he walked from the bottom up, like that. Dmitry jumps up and twice the hall is filled with the power of his voice, and the visitors who are in the museum's lobby shudder in bewilderment. So he was in eighty. From the royal persons, I also saw the queen of Norway Sonya with my son. They were at a concert in honor of the Winter Olympiad. But the greatest impression on me was made by Margaret Tetcher.

I participated in the play "Peak Lady". Dying Andrew Davis. After the performance, there was a reception, and I talked about half an hour with a aunt, standing from it 30 centimeters, eyes in my eyes. She said that she did not imagine the best Yelets. And I looked at her and was amazed. I have never seen such eyes. Everything that lived below, expressed emotions, but my eyes were such that I wanted to ask permission to touch them, if they were of glass.

In her eyes there was power, peace and some incredible cold radiation. The next day I met Prince Charles. This time, Gennady Rozhdestvensky conducted the "Queen of Spades". I sang in a concert for Mikhail Gorbachev.