Biography of Stradivariy Master
Why are the Straidivari violins such dear Antonio Stradivari - the biography of Antonio Stradivari is the most famous Italian violin master, who created more than a thousand tools for a long life. Its masterpieces are stored in the largest galleries in the world, and if they fall for auction, their cost is calculated by millions of dollars. The name Antonio Stradivari is known even to those who are far from the world of art.
The great violin master created a huge number of bow of musical instruments, near which have survived to this day. Childhood and youth are known that the biography of Stradivari began in the year, but the month and day of his birth remain a mystery. Children's years of the future masters took place in Lombardy, namely in the town of Cremon. About the early period of the life of Antonio, information is extremely few for a simple reason-in those years, documents were often destroyed due to constantly raging epidemics.
Presumably, the father of the boy Alessandro and the mother of Anna, besides him, had three more children. Parents wanted the son to receive some useful specialty so that in the future he could earn adequately. There was not enough money in the family, so small Stradivari was given to free students to the then -famous violin master Nikolo Amati. At first, the young man performed black work and simple instructions, but then Amati made him the closest student.
The portrait of Antonio Stradivari in his youth has another version about where the future genius comprehended the basics of the creation of the Smechkov. It is assumed that the first teacher of Antonio was not Amati, but the other famous master - Francesco Ruggeri. Historians do not dare to reject this theory, because in some surviving tools of Stradivari, Rudgeri's “handwriting” is clearly traced.
Some art historians believe that in adolescence, Antonio was a carpentry and was engaged in a harsh tree, decorating musical instruments of wealthy townspeople.
According to this version, after studying the master Francesco Pescaroli, the young man entered a professional educational institution. The first Stradivari made violins dates back to years, when the young man was years. This is evidenced by the labels with its name that have survived to this day. The manufacture of tools for a novice violin master was a competitor - Andrea Gvarneri, who was among the wards of Amati.
But gradually Stradivari became a professional of this level that he left far behind all his rivals. Antonio began to experiment with violins in a year. Having mastered the main secrets of his talented compatriots, he began to look for his own proportions to create elegant samples. Once a young man came to the fact that he completely abandoned the Amati style, starting to make violins according to his own unique methodology.
The production of tools needed money, and considerable. Stradivari was looking for wealthy customers, the first of which was the banker known in the cream. A set of tools created for Jacob II made a talented young man a real city celebrity. Graceful violins, altas and cello were highly appreciated in aristocratic circles, and soon the author’s work became incredibly in demand.
In an effort to make his creations unique, Stradivarvarova used dark varnish and lengthened the deck, which is why the sound of his instruments resonated in a new way. By the end of the age, the master came up with a new move - shortened the violin by adding an internal bend in the form of a torn circle. In addition to violins, Antonio made harp, mandolins and guitars.
However, he became famous mainly, like a violin master. The instruments made by the Italian for the Royal Quintet brought him a solid profit, which allowed him to calmly continue his creative work. At the beginning of the 18th century, the glory of Antonio Stradivarvari went far beyond the limits of a small creamy. Things went well, and the creator was able to open his own tool shop.
The master endowed each of his creation with his soul and figurative names - “Dolphin”, “Good times”, etc. At the same time, his colleague Andrea Gavarneri made instruments for temples, Stradivarvari created violins by order of representatives of the elite of society. The stigma of the ingenious creator was well known by connoisseurs of art from different cities of Europe. Documentary evidence has been preserved that the master attracted the heirs to the production of their tools.
They were engaged in the creation of raw blanks and grinding of varnish surfaces. Antonio did not take the students - either out of jealousy to the profession, or because of a large workload. The only person who could call the Stradivive Mentor became Carlo Bergonzi. The successor of the genius achieved grandiose successes in the violin business, becoming famous in the X.
Masterpieces made by Stradivari are now carefully stored in the largest museums and by private collectors. Surprisingly, over time, genius tools not only do not deteriorate, but become more valuable every year. Niccolo Paganini's favorite tool was Lebrun, who traveled with him around the world. The cost of the works of Italian is amazing.At one of the auctions, his Lady Blant violin left the hammer for almost $ 16 million.
Connoisseurs of art are confident that the masterpieces of Stradivari are intended only for true geniuses with natural talent. In addition to other masterpieces, the state collection of unique musical instruments of the Russian Federation stores Antonio Stradivari: “Amatiz” - was in the personal collection of Pavel Tretyakov, and after his death was transferred to the Moscow Conservatory.
The violin of the year - brought from Paris by the musician of the Bolshoi Theater K. on the original is the signature of Amtonins instead of Antonius. The instrument of the year - was in the personal collection of Alexander I and was bequeathed to him by the Hermitage. The violin of the year is better than other samples. Alt of the year - his owner was Count Matvey Vielgorsky, and later the Belgian, Henri Veetan, toured with him.
The violin of the year - her master created shortly before his death. Up to a year, the instrument was stored by Prince Yusupov, who before emigration hid him in the basement of his palace. The Bolsheviks found a cache and handed over the treasure to the state collection. They may be familiar.