Biography Nile Young
Styles of the rock music of Neil Young, despite the fact that this musician tried himself in many genres, by and large his work is divided into two categories: a soft country-folk and a loud guitar rock performed with the Crazy Horse garage gang. Neil Persival Young was born in Toronto on November 12. Having passed through the hobby of rock and roll, Du-Op, rhythm end-blouse and country, during his studies he changed several school teams, and also began to perform in folk clubs.
The first relatively stable ensemble was the instrumental Band of “The Squires”, with which Yang released the single “The Sultan” in the year. A couple of years after that, the Nile worked alone, and in M for a short time he found himself in the ranks of the Mynah Birds group, focused on the standards of "Motown". The project soon broke up, and Yang, in search of good luck, went to Los Angeles, where he stumbled upon his old Canadian clubs by Stephen Stolls.
The guys were very happy to meet and organized the Buffalo Springfield team on this occasion, which has become a classic example of a California folk rock. Despite the widespread success, due to the egocentrism of the participants and the unhealthy narcotic situation, the project did not last long, and in the spring of the GO Nile he went into autonomous swimming. At the end of the year, Yang released the debut album, after which he began to perform with the local group The Rockets, which included guitarist Denny Witten, bassist Billy Talbot and drummer Ralph Molina.
Soon the team was renamed Crazy Horse, and with it the Nile recorded its second record. Participation in this supergroup helped both the solo career of Yang, and his country-filter plate "After the Gold Rush" was competing with hot pies. The living plate "Time Fades Away" turned out to be a failure, and in general difficult times came for Yang. However, just because of the gloomy mood, the disk release was postponed, and instead of it a more melodic semi-acoustic program “On the Beach” appeared forward.
In M Young, he made a long round "Rust Never Sleeps", in which he introduced the audience with new material. Concerts were divided into two sets: acoustic and electric with "Crazy Horse", and in the second part there was so much energy and fusz that this was regarded as opposition to the wave of punk rock. But if the livers of "Rust Never Sleeps" and "Live Rust" dispersed well, then with the beginning of the new decade for the musician, the muddy period of throwing and experiments again came.
And although the production of full -length production has resumed, success was in no hurry to return. The throwing still continued: from the country "Old Ways", Young again ducked into the new wave of "Landing on Water", after which he again revived the "frantic horse" and recorded the semi -concert program "Life". All these jumps caused a fair discontent of the Geffen Records label, and the artist returned to the “Reprise Records”, where his career began.
The restoration of the musician’s renom began with the “Freedom” record, made in the traditions of “Rust Never Sleeps”. In the electric numbers of this Fidback album there was so much that later many graniers began to call Yang to the godfather of their style. At the next studio, Neil tried to preserve the dirty sound, and in the promotional tour "Ragged Glory" invited well-known lovers of Noya "Sonic Youth".
And although the development of this style in alternative times seemed obvious, in M Young decided to move away from loud music and recorded a quite calm country-folk album "Harvest Moon". Despite the seeming non -format, this sequel to the plate of the year was a great success, and the Nile recorded after it was recorded by the acoustic set "Unplugged".
One way or another, but the musician felt the responsibility for the appearance of a grunge, so he devoted the album "Sleeps with Angels" to Kurt Cobain, and at the session "Mirror Ball" invited the guys from "Pearl Jam". While many of his peers lost creative ability and concert activity, the Nile continued to tour albums in the third millennium as if nothing had happened. Even the disease could not stop Yang, and in m despite the brain aneurysm discovered, he released the acoustic album "Prairie Wind".
Having finally recovering, Neil again played out loud music and, showing political activity, opposed the war in Iraq with the songs "Living with War". If the work "Chrome Dreams II" had no concept and was just a set of good diverse songs, then the musician dedicated to the cars to the cars. Despite the apparent evidence of the name “Le Noise”, Young tried to combine both his hypostasis in this album, and an electric-single, and acoustic-folk.
About the same compote turned out to be on the Americana cover plate, where traditional American folk-songs were shifted for electric guitars. Last Update