Biography of Bazarov Love
Quotes the story of the character is the protagonist of Turgenev’s novel “Fathers and Children”. Nihilist, a young ram, a student whose future profession is a doctor. The philosophical movement is called nihilism, whose representatives questioned the values accepted in society. In the second half of the 19th century, in Russia, so -called young people with atheistic and materialistic views, who wanted changes in the prevailing state system and public order and negatively related to religion.
The image of Yevgeny Bazarov was met in critical literature before Turgenev, but after the release of the “fathers and children”, he spread and began to be used in everyday speech. The word "nihilist" turned into a characteristic of young men and women, whose component in literature was Evgeny Bazarov. The hero remains in the minds of the present person by the embodiment of nihilism as a denial of the old, including “old” ideas about love and human relations.
The history of the creation of the idea of “fathers and children” began to form in Turgenev in the year, when he stayed in England on White island. The prototype of Yevgeny Bazarov was a young doctor from the province, a random companion of Turgenev, with whom the writer was traveling on the train. The trip was difficult-the track was brought in snow, the train stopped for a day at some tiny station.
Turgenev managed to talk tightly with a new acquaintance, they talked the night, and the writer was very interested in the interlocutor. The random acquaintance of the writer turned out to be a nihilist. The views of this man and even his profession formed the basis of the image of Bazarov. Ivan Turgenev himself was created quickly, in comparison with the speed of Turgenev worked on other works.
Less than two years have passed from the idea to the first publication. The writer drew up the plan of the book in Paris, where he came in the fall of the year. There, Turgenev began to work on the text. The author planned to finish work by the spring of the same year to bring the text ready for publication to Russia, but the creative process was stalled. Winter has gone to write the first chapters, and by the spring of the Roman, only half was completed.
Turgenev wrote in a letter: "It does not work in Paris, and the whole thing was stuck in half." The author finishes the work in the summer of the year, already at home, in the village of Spasskoye. By September, editing was made, and Turgenev returns with Roman to Paris to read the text to friends there, fix and supplement something. In the spring of the year, “Fathers and Children” are first published in the journal “Russian Bulletin”, and in the fall are published by a separate book.
Evgeny Bazarov in this final version of Bazarov is made less repulsive, the author saves the hero from some unsightly features, and this is where the character’s evolution ends. Turgenev himself described Bazarova in the list of actors when he made up a preliminary portrait of the hero: “Nihilist. Self -confident, says abruptly and a little, hard. Lives small; The doctor does not want to be, is waiting for an opportunity.
He knows how to speak with the people, although he despises him in his soul. It does not have an art element and does not recognize quite a lot - energetic, may be liked by its aboliability. In essence, the vigorous subject is the antipod of Rudin - for without any enthusiasm and faith, an independent soul and proud first -hand. ” Biography The time of action of the novel “Fathers and Children” - years immediately before the abolition of serfdom that took place in the year, when advanced ideas have already begun to manifest themselves in society, especially among young people.
Evgeny Bazarov has half noble origin. His father, a poorly retired army surgeon, spent a life in a rural environment, controlling the estate of a girlfriend. Formed, but modern progressive ideas have been bypassed by him. Eugene’s parents are people of conservative views, religious, but they love their son and tried to give the best education and education. Evgeny Bazarov Evgeny, like his father, chose a doctor’s career and entered the university, where he became friends with Arkady Kirsanov.
Bazarov “instructs” a friend in nihilism, infecting him with his own eyes. Together with Arkady, the main character comes to the Kirsanov estate, where he meets his father Nikolai and his father Pavel Petrovich. The opposite views on the life and character traits of both heroes in a collision lead to conflict. Evgeny Bazarov visiting the Kirsanovs Pavel Kirsanov - a proud aristocrat, an adherent of liberal ideas, retired officer.
Behind the hero, the hero has a tragic love that happened to him during the years of youth. In the bauble, the daughter of the housekeeper and the mistress of his brother Nikolai, he sees a certain princess R. The unpleasant situation with a bauble becomes the reason for the duel between Pavel Petrovich and Bazarov. The latter, left with a bauble one on one, kisses the girl, which Pavel Kirsanov turns out to be an indignant witness.
Pavel Kirsanov and Nikolai Kirsanov Evgeny Bazarov adheres to revolutionary and democratic views, the environment of the liberal-Kirsan heroes is ideologically alien.With Pavel Petrovich, the hero constantly argues about art, nature, human relationships, nobility - the characters find in nothing a common language. When Bazarov falls in love with Anna Odintsova, a rich widow, he has to reconsider some views on the nature of human feelings.
But Eugene does not find mutual understanding. Anna believes that serene calm is the main thing in life. The heroine does not need unrest, Anna treats Bazarova with some sympathy, but does not answer recognition so as not to worry. Anna Odintsova, having visited the Odintsova estate, Bazarov, along with Arkady, travels to his parents for three days, and from there back to the Kirsanov estate.
Just at this time, a scene of flirting with a bauble is taking place, after which Pavel Petrovich and Bazarov shoot at a duel. After these events, the hero decides to devote life to medical practice. Evgeny had the attitude to work that he could not sit idle. Only labor justified existence. Bazarov returns to the mother’s estate, where he is accepted to treat everyone who needs medical care.
Arkady Kirsanov conducting an autopsy of a person who died because of typhoid, the hero accidentally hurts himself and after a while dies due to blood poisoning. After the hero’s death, a religious ceremony - a stroke, which completes the tragic fate of the hero, is being held in a mockery of Bazarov’s views. The appearance of the hero Turgenev describes as follows: Bazarov has a long and thin face, a wide forehead, his nose is pointed down, large eyes, a greenish shade, hanging bacenbards of sand color.
The hero sees the appearance of Evgeny Bazarov in the fact of clearing a place in society for the sprouts of the new, but it slows down the complete denial of the cultural and historical past of humanity, stating that the art of Raphael is not a broken penny, and society needs exclusively butchers and shoemakers. The image and film adaptation in Russian cinema Evgeny Bazarov appeared three times.
All three film adaptations have the same name - “Fathers and Children”, like Roman himself. The first tape was shot in the year of the Lenfilm film studio. The role of Bazarov was acted by Soviet actor Victor Avdyushko. The next film adaptation was released in the year. Bazarov performed by Vladimir Bogin looks a very self -confident young man. Victor Avdyushko in the role of Evgeny Bazarov, the last film adaptation was released in the year.
This is a four-part mini-series, filmed by director Avdotya Smirnova, which also became one of the authors of the script. In the role of Bazarov, Alexander Ustyugov acted. From ideological strife here, the emphasis is transferred to love relationships and the possibility of heroes of happiness. The scriptwriters interpreted this Turgenev work as a family novel. The scriptwriters added interesting facts to some expressive moments to the film “From House”, Turgenev did not have this.
The famous scene, where Bazarov recognizes Anna in love, occurs among glass and crystal, which is filled with the room. These scenery are designed to emphasize the fragility and beauty of the noble world, into which Bazarov invades, like a “elephant in a chimney shop”, and the fragility of the relationship of the heroes. A scenario was also introduced into the script in which Anna gives Bazarova a ring.
This moment is absent in the text, but it was introduced to emphasize Bazarov’s internal resemblance to Pavel Petrovich, the beloved of the latter once did the same for him. Director Avdotya Smirnova was originally going to give the role of Pavel Kirsanov to her father, actor and director Andrei Smirnov. Vladimir Bogin, in the role of Evgeny Bazarov, scenes in estates were shot in real "Turgenev" places.
For the filming of Kirsanov’s estate, the film crew was allowed to use the outbuilding on Turgenev’s estate “Spasskoye-Lutovinovo”. The estate itself is a museum where many originals are stored, so they are not allowed to shoot there. In the outbuilding, restoration was planned. In another Turgenev estate - Ovstyug, near Bryansk, they shot Anna Odintsova's estate. But the house of the parents of Yevgeny Bazarov had to be built specifically for filming.
To this end, the villages were looking for old buildings. The ten -month -old child of one of the museum employees on the estate of Turgenev played the role of a little son of a bauble. In Bryansk, local workers of the theater were attracted to the filming, they played the roles of servants. Alexander Ustyugov in the role of Evgeny Bazarov, in order to create only outfits for ladies, the costume artist Oksana Yarmolnik had to spend 5 months.
The costumes, however, are not authentic, but are intentionally close to modern fashion, so that the viewer is easier to imbue with sympathy for the heroes and delve into the vicissitudes of their lives. Completely reconstructed costumes made a film like a historical play and moved the viewer from what was happening on the screen, so it was decided to sacrifice authenticity.
The scenes that are allegedly taking place on city streets are actually filmed at the field sites of Mosfilm. The dishes and wallpaper that the viewer sees in the frame was created specifically for filming, so that they correspond to the spirit of time. Quotes "A decent chemist is twenty times more useful than any poet."As for the time - why will I depend on him? Let it better depends on me.
No, brother, this is all licentiousness, emptiness! And what is the mysterious relationship between a man and a woman? We, physiologists, know what kind of relationship this is.