Biography of Edip Asanova

His songs are singing in almost every Crimean Tatar family and at every wedding. Both among young performers, and among the venerable masters of the song genre, Edip Bay enjoys well -deserved respect and recognition. At the same time, in life, he is an amazingly soft and modest person who did not turn his head “star disease” - the eternal companion of those who at least once went on a wide stage.

Today, visiting the Peninsula, Edip Bakhchasaraila. Any new sensations, a new understanding of musical creativity, art as a whole have you got? After all, I began to smile a little older. Suppose, in such a matter as the performance of Crimean Tatar songs by young singers and musicians. If earlier I was a third -party observer, sometimes I allowed criticism to them, now I try what I can help them, I even started working with some.

To criticize is easier, and help is already completely different. It is great that young people sing folk songs! But I want their diction to be excellent, so that the words of the songs are touched by the soul, and most importantly, so that the audience likes what they represent from the stage. Well, how much can I eat somewhere without salt, somewhere expired, somewhere without a pepper?

The other is associated with a return to homeland. What is the difference between the work of that period and the present? In this regard, I am not ashamed for myself. The only difference is in the genre plan. Although my very first album was also dedicated to Crimea. And now everything that was created by me, first of all, is dedicated to our people, our homeland ... There are many comic songs, on household and different other topics.

In the Efsan ensemble, we played jazz, and rock, and folklore - everything was. And now ... over 18 years of life in the Crimea, the genre was somewhat narrowed. But I am a diverse musician.

I have an elegy for the Selsebil violin ensemble, there is a concert for a piano with an orchestra, I want to work with folklore and pop ensembles. The plans are to write a song for performance in a duet Seytabla Memetov and Gulsum Tomom, that is, it will already be an opera or opera genre. I would like to try myself in the instrumental genre - to write a Crimean Tatar work, but in the modern European style for the Narket of Ramazanov, Raif Aliyev and other performers.

I am interested in working with youth and more mature artists. My dream is to create my own song theater. Remember, Zarema Khanum had such a theater ...-What is needed for your dream to come true? For example, the Efsan ensemble began with the Tashkent Philharmonic: we were set to work in the Haitarma ensemble. For two years we performed under their “roof”, but under our brand and only two years later, we were allocated to a separate chamber and instrumental ensemble “Efsan”.

The same mechanism could be launched now, for example, at the Crimean Tatar Theater, or with the Kyrgym Ensemble ... -Didip, you have a lot of fans and fans, but how are your relations with officialdom? Nobody officially contacts me laughs. I have a studio that feeds me. And with officials, in general, I have no business. I am officially not working anywhere. And I have no titles.

This does not interest me at all. His Majesty the viewer matters to me. I want at least part of my work to remain in the memory of the people. I am pleased when some of my works take for folk. A lot, because I wrote not only in the Crimean Tatar. I have songs in Uzbek, and in Ukrainian, and in Russian. Now I set out to write several songs in English. I grew up on the songs of the Beatles, Elton John - for me it is a classic, my favorite performers.

My first song in the Crimean Tatar language “Alim” was written in the words of Cherkez-ali, then there were songs to the words of the poetess Jevair, but my songs are better known to co-authorship with Ablyazis Veliev, Yunus Kandymov, Issu Abduraman, Mikola Miroshnechenko, Nuzet Umranov, Seyran Suleimanov ... Well, of course, a record of music, arrangement Songs are also of great importance.

In this regard, it is easy and pleasant for me to work with Rustem Abdurahmanov, Pasha Dolin - these are real professionals in their field. What surprises have you prepared for us, spectators? He planned the presentation of his next album, alas, the crisis made its adjustments. But there will be the premiere of my new clip “Jashlygym”, to the verses of Yunus Kandym.

She is a hairdresser. So with hairstyles I do not have problems smile. The eldest son Emil is studying at the faculty of applied art in Kipu, followed in the footsteps of my father - there will be a jeweler. The youngest son Timur is a fifth grader, studying at the 11th gymnasium of Simferopol. By the way, in musical terms I want to write songs for children too. I have already composed one lullaby of Aineni to the words of Ablyazis Veliyev for the Belbek ensemble, they are already rehearsing it.

To write songs for children, one must be suitable with all seriousness, because children are a special listener ... For them from the first notes, from the first words everything should be clear, clear and attractive.One of the guests, who has already pretty accepted on his chest, orders the song “Chagarakratan Tyutyun Chyka”. No matter how hard they tried, we cannot remember. In general, they said that in our repertoire this song, unfortunately, is not.

The man returned to his place upset. It takes some time, and we set the song “Steamboat” to order. He comes up and, smiling in the whole mouth, says “Buleszde! He has the name of this song "Chagarakratan Tyutyun Chyka." I needed an idea that would touch everyone. Many Crimean Tatars in the early years of mass return preferred to fly by plane decided that the announcement of the landing at the airport, harmoniously included in the text, will be the same secret topic.

Remember: "The landing for the flight Tashkent - Simferopol is announced." For three days I got up at four in the morning and rushed to the airport with a tape recorder. While I recorded as it should, it took a few cassettes. I decided to consult with my father, he is my closest friend in all, all-all issues-creative, everyday, I still consult with him.

I come to him, and he says to me: “In our Bakhchisarai, before the war, our distant relative lived, who sold Chebureks in the bazaar. He had a big vat, and coals were smoldering from below so that the Chebureks were always hot. This man always spoke, did not shout, namely, he said: “Chibberker! Sydzhak Chiberkler! Yany Chykyta Furundan! Asha Chyksyn Bournudan! What are you going to do in adulthood?

After all, every creative person I want to do a lot for my life and have a lot to have a lot ... As long as I feel the strength in myself, I will continue to do my favorite thing, to delight compatriots, relatives, friends, and friends as possible with my work. Well, with all this combined, I want our culture, musical culture, including to get on its feet and become even more beautiful, even more beautiful, even more professional ...

- Then, see you in the Theater of Edip Bakhchasaraila! Similar materials.