Biography of Ryabinin Trofim

Medal for the Olonets singer: By the birthday of Russian epics, T. this year, this year, the Russian storyteller Trofim Ryabinin has been years old. It was from him that we knew the epic bench known to us from the school. The founder of the dynasty - Trofim Grigorievich Ryabinin - became one of the symbols of Russian folklore, just like a multi -headed Kizh ensemble - a symbol of world wooden architecture.

Meanwhile, the personality, creativity, the fate of the storyteller are still little known. Sometimes the prospectors do not suspect that the exemplary notes of Russian epic songs were made on the island of Kizhi exactly years ago. From whether it was from the city from Muroml, from that village of da from Karachirov, a good -haired good fellow traveled out.

He stood a joke in Muromle, and he wanted to keep up with the dinet to the old Kyiv-grade. Yes, he drove up to the glorious to the city to Chernigov. Whether the city of Chernigov was caught up with silushki black, black, and y black, black like black crow. Reading epics, we plunge into a special epic world, at the same time fantastic and real. His heroes are heroes.

Of course, epic heroes are not real personalities. In their image, folk memories of mythological heroes, faith in the extraordinary abilities and historical experience of the people of the time of establishing Kievan Rus merged. In the 19th century, people still believed in heroes, however, attributed epic events to the distant past. It was believed that it was the heroes who embodied the power of the people, defended them, supported justice, and cherished the earth.

When they disappeared, troubles began for Rus'. In the middle of the XIX century, the real spiritual “oasis”, a large number of storytellers who still sang about Russian heroes, were found in Zaonezh. The young official Pavel Nikolaevich Rybnikov, who was serving a link in Petrozavodsk, opened the famous storyteller Russia by the famous storyteller. It happened like everything great, by chance.

In May, Rybnikov was supposed to go according to state -owned need from Petrozavodsk to the Pudozhsky coast. Because of the storm, the boat had to be picked on a small island of Shuinavolok, where they decided to rest and wait out the wind. Rybnikov fell asleep, woke up his strange sounds. Before that, I heard a lot of songs and spiritual poems, but I didn’t hear such a tunnel.

Live, bizarre and cheerful, sometimes he became faster, sometimes breaking off and his Lada resembled something more old, forgotten by our generation. For a long time I did not want to wake up and listen to separate words of the song: it was so joyful to remain in the power of a completely new impression. ” The epic about the garden, rich Gostz, sang the peasant of the village of Seredka Leonty Bogdanov, trying to stop the weather with the magic of singing.

It was Leonty Bogdanov who persuaded Rybnikov not to pass by Kija to the eastern shore of the lake, to stop in the middle to listen to the best singer in Zaonezhie - Trofim Ryabinin. Through the threshold of the hut, an old man of medium height, strong addition, with a small graying beard and yellow hair crossed. In his harsh look, posture, bow, act, in all his appearance, at first glance, calm power and restraint were noticeable.

” The meeting of the storyteller and collector, held only two kilometers from the famous Kizh churches, was destined to go down in the history of Russian culture. They made friends: a European-educated young man of 29 years and an old quasis, a reference owner, a respected person in the district. The collector felt that Trofim Ryabinin was an extremely high class master.

When parting, the storyteller did not agree to take anything from Rybnikov “for science”. When the collector gave his wife a scarf, Ryabinin immediately gave it to his sewn towel, saying: “When, Pavel Nikolaevich, friends part for a long time, then we can give each other to each other as a memory of a gift.” After 10 years, in the year, on the advice of Rybnikov in Zaonezhie, a scientist-Slavist Alexander Fedorovich Gilferding arrived in Zaonezhie.

The main part of the epics, in the penden-“old man”, 13 texts of Trofim Ryabinin-was recorded on July on the island of Kizhi. As Vladimir-Knyaz, the Stolny-Kyiv was expanded to the old Cossack Ilya Muromets, planted him in a cellar in a deep, in a deep cellar into a cold and for three years of pores-time. And the glorious prince of Vladimir had a daughter and the same, she sees: this business has a considerable thing, and what Vladimir-Knyaz and the Stol-Kiev old Cossack Ilya Muromets put in that one would stand alone for the faith, for the fatherland, could stand alone for Kyiv-grade, could stand alone for the churches for the cathedral, he could take care of the prince and Vladimir.

Could save Oprax-Korolevich. Listening and observing many storytellers, Hilferding noted that “the knowledge of epics is, as it were, the advantage of the most working part of the peasant population” and that “epics fit only in such heads that connect the natural mind and memory with decency, necessary for practical success in life”. At the invitation of A. Hilferding, in December, Trofim Ryabinin arrived in St.

Petersburg for repeated entries and performances.One of the most memorable days was a performance at a meeting of the ethnography department, in the hall of the Geographical Society on December 3. Before the audience at the table in the chair, putting both hands on the armrests, sat an old old man of about eighty years, "dressed in a Siberian, with a gray beard and deeply falling eyes, giving him a venerable and serious look." After the break, the storyteller sang epics at the request of the audience.