Zabolotsky Anatoly Dmitrievich Biography

Anatoly Zabolotsky was now Anatoly Zabolotsky - one of the legends of the movie, the director of the paintings “Kalina red” and “stove -stoves”, “alpine ballad” and “Christ landed in Grodno” and “through the cemetery” and then it was a young film fighter who shot it 24 hours in Grodno. We knew how to live for a day. They were connected by a lot. In the year he was aimed at Belarusfilm.

Anatoly Dmitrievich Zabolotsky worked at different studios of the country, participated in the creation of 15 feature and documentaries. In recent years, he took up a hkdesty photograph, designed 15 publications of different authors. The exhibition of his photo buildings was demonstrated at the Khakass Drama Theater, exhibited at the Martian Museum of Minusinsk. We began to talk a little about what we could not before.

At the same time, now there is even more conservative censorship than in Soviet times - economic. There was, for example, a artistic council at Mosfilm and there were state people who still professionally resolved many issues. And now differently. True, in my opinion, once the former deputy of the Cicalo said: "There are three types of people in life-the master, serf and lackey." We all enter these three categories.

For example, I attribute myself to the slaves. And Kholuev is the most. They, in general, do the weather, do not allow a good owner to work normally. A very simple and very mature thought. Most of the officials are Kholui. Most often they were a slave title - workers. It began at the institute, even earlier. There were interesting teachers in Abakan. Koshansky, Alexander Kondratievich, for example.

Nevertheless, the Golovnya, Levitsky, who taught me to operator art, Mikhail Nikolaevich Kirillov, worked at the institute at that time. In general, operator work is with difficulty and it was there that I learned to work. Then I ran into Vasil Bykov, with Pavel Nilin. Then he came to Shukshin. There he met young "villagers", as they were then called. I met him for a long time, even when he lived in Vologda.

Or there was some influence, I do not know, on you or yours on it? I came to him myself by reading his stories. And Shukshin began to know, as a writer, much later, after death. During his lifetime, he published four thin books. The latter is "Conversations at the Yasnaya Moon." On the title sheet, he wrote “Tole Zabolotsky, a friend and a like -minded person, with the hope that we would still be shook at my heart, the Shukshin talent fell to write dialogs.

No worse than the great Ostrovsky. And rarely someone could write dialogs. I then learned it and went to Shukshin. He had his own attitudes. At first, we had it difficult to work. But attaching to each other. The result was very frequent, moreover, there was an envy of professional neighbors and in every way they wanted to breed on different roads. And Lida Fedoseeva-Shukshina says that I have not yet begun nothing yet, and you already ran from the ship who are we, why are we in Rus' to break through?

Such a person as Shukshin was glorified, like a fighter with an intelligentsia, then he is an anti -Semite, then a chauvinist. The only thing, he said, was not called the cosmopolitan. I was proud of this and now about the fate of human. I have at the exhibition, which was held in Abakan, Vladimir Alekseevich Kovalev, director of the Martian Museum, appeared. I asked - leave the photos for the exhibition in our museum.

We have thousands of visits a year, let it hang at least summer. We warm the souls of people. I gave him. When we started, I saw what a wonderful museum it was. After all, what is an exposition? She must master the attention of those who came. Sometimes exhibitions die if a decent exposition is not created. After all, thought has energy. And it is necessary to make sure that the visitors of the exhibition work this energy of thought.

And I was so happy that a person feels it. We made an exhibition with him to envy the Hermitage. I was glad that I could invite people to the taste of which I trust. More and more in our communication, I saw in him a real state man. He was sick with his soul for everything that concerned him. How he worked! And then he died. And the exhibition was made such that when I recently went, I realized that my leg would not be there anymore.

After his death, my exhibition was almost mortally cut. They did it like in a party card. My exhibition of photos is called "Life gave to see", but the visitor will not be able to see anything who excited me. This, so to speak, to the question of the role of personality. It was evident that the guy was fresh. At that time, Soviet, it was a good thing - to send from national regions to institutes without a competition.And Vasya there manifested it so that after the diploma it could well be taken to Mosfilm, but he did not have a residence permit.

Therefore, he went to Sverdlovsk and went very quickly and clearly there. But he had a family tragedy. He took the wife of a large party boss to his wife. And as a ruff of a ruff, uncompromising did not converge in ideological views with father -in -law. And he simply “knocked out” from Sverdlovsk. He left for Odessa. They shot just the film "Vertical" with Vysotsky.

He contracted for helicopter shootings. There were few hunters, courage was needed when, for example, the operator was tied to the wheel. And he flew. I did cool shooting. And once this helicopter fell from a height of meters. I even have photos. And Vasya was very much hit by the Akkamulator on the head. For four months he was in the hospital. And then he could not work fully later.